1.  

    's nice, that.

    Good work, sir.

  2.  
    Nice work Beseku.
  3.  

    That's very nice, could do with more stuff to click though, and it's not immediately obvious where to get any actual content either.

    Yeah, I realise that, hence the likelihood that once all the kinks are worked out, I'll update it with better visualisations and some interactivity. That Protovis library integrates with Jquery hover libraries well, so I'm thinking of using layers graphs showing each type of activity, for example.

    Out of interest, is anyone getting a double pop of fonts on FF 3.6? It happens occasionally, where it loads the fonts twice and shows Proxima Nova, then Helvetica, then Proxima Nova again. Can;t figure it out.

  4.  
    That's great fun, awesome job. You could flog summat like that.
  5.  

    That's great fun, awesome job. You could flog summat like that.

    It's actually built as a system that can be configurable per user, but there is some stuff that would need some work. I'm definitely thinking about it. There is a lot thats specific to me, (the London/Tokyo data is separated by date ranges for example). It also has no control panel, (the blogging is done via Marsedit, and the rest is DB only).

    If I can work out a nice way of abstracting it out, I might do.

  6.  

    It's really nice mate.

    I'm actually surprised that nobody's created a suite of libraries already that fetch and cache your 'activity' data from various sites. I know there are things like sweetcron and stuff that aggregate, but they're not exactly data driven.

    On a pedantic note: maybe your lastfm stats should be 'plays' rather than just the number of songs (as the rest are activity stats, and activity on lastfm would surely be plays rather than the library).

    Very clever stuff, interesting, and it looks great too mate. Nice work on the design.

  7.  

    Cheers mate, thanks for the feedback. I've been hearing rumblings about various similar projects bt had a lot of good feedback, so may look at releasing it and hoping others push it forward. I don't have time to do it myself.

    On a pedantic note: maybe your lastfm stats should be 'plays' rather than just the number of songs (as the rest are activity stats, and activity on lastfm would surely be plays rather than the library).

    I agree, I'm still thinking about Last.fm being in the main activity panels, since it isn't activity in the same sense as everything else, its not created. It also skews the graphs a lot because of the sheer volume. As I said, it's conceptual right now and will hopefully evolve.

  8.  
    Oh and while I'm in this thread, I'm sure you all bought Writer, but if you didn't, Stephen Fry is now pimping it for us.
  9.  

    Really chuffed. Just received the proof copy of my grandad's book from Blurb.

    Just need to proof it all now to make sure there are no mistakes that I've missed, and the cover needs a slight tweak in balance, but other than that I have to say I'm really impressed.

    I'll post up some pics later.

  10.  

    After about 8 years of faffing, it's finally done.

  11.  
    That's really cool.

    When I was young, I always thought I'd write a book, even if it was a really shit one no one would ever read. Now; I know that I don't particularly have anything interesting to say, my attention span is not up to it, my writing style has disappeared and all I'm good for is writing short to the point emails and text messaging. The Internet has ruined my literary aspirations!

    Big ups to your Grandad though. Are you selling it anywhere else, or exclusively through Blurb?
  12.  
    My mum wrote and self published a book. Up until then I always thought self published books were acts of pure vanity, but a year on and the book is in the top 10 list on Amazon's travel section and selling like hot cakes on the Kindle store. So I stand corrected. Turns out it can be a very effective way of getting a book to market.

    Good luck with it mate. Looks great!
  13.  

    Just through Blurb Mike. The quality's great to be honest.

    I have to say my eyes have been opened up a lot to the whole publishing model, I've done a lot of reading and it's a proper scam. Not just from a publisher point of view.

    Did you know that all bookshops and publishers operate on a 'returns' policy, like newspapers? In other words, if I'm a bookshop, and I want 100 of your books, I buy them, and then if I don't sell them all within a specified period (say, 6 months) then I can return them -- to the publisher -- for a full refund? And that Amazon take 55% of the RRP of any book-sale (that's how they can do 50% off on so many things, it only comes off their margin). And how weird is it that books (unlike CDs, DVDs, etc) have to have their price indelibly stamped on them? And that's the price that publishers/bookshops negotiate on?

    It's ridiculous, and thank god for the likes of Blurb and Lulu making it possible for people to get their stuff out there without having to mortgage themselves. The first print run of my grandad's book, that he got done in 2002, cost him nearly £2.5K for 500 copies, payable up front, no arguments. The local bookshops that bought it from him didn't pay a penny up front, they just gave him a couple of quid for each one sold. It's a fucking racket.

    On day one, we've sold 8 copies of the book -- it may not sound like a lot, but given the lack of fanfare (a facebook post, this post here, and an email to about 40 people that expressed an interest) it's really great. And it's cost nothing to do (apart from a considerable chunk of my time to design the book, that I'm delighted to have given).

    Gecko: Amazing news about your mom's book -- got a link?

    PS: I didn't really pimp it above, but it's actually a really great book my grandad's written -- I've never really read a genuine first-hand account of the experiences of a non-elite, non-officer class soldier during the war; particularly one that fought on the front line for so long and saw liberation.

    At least I've never seen one that didn't have a big, dramatic story arc (there's no 'private ryan' in this story), rather just the day to day experiences of a soldier. It really throws some light on the absolutely horrific situation these young guys were thrown in to, and also shows the simple heroism of normal guys in extraordinary circumstances. Recommended ;-)

  14.  
    Where did you learn about bookshops having that 'returns' policy Jordan? It certainly doesn't work like that for a few small independent bookshops I know. You simply buy what you want to stock, and if you can't sell it then you're stuck with it.

    Worse still is the fact that the buying power of amazon means it's impossible for an independent seller to compete. The standard trade discount with publishers is roughly 33%, whereas amazon often sells to the public at a 50% discount, so it's often cheaper for an independent bookshop to source stock from amazon than it is with an official trade account with the publishers directly. How can independent bookshops be expected to make a profit when they are buying their stock at prices 25% higher than their customers can buy online? This is the reason that the independent bookshop is pretty much a thing of the past.
  15.  
    Anyone used Bobs Books?
  16.  
    Jord this isn't strictly accurate. Some retailers operate on a sale or return basis, but most I've dealt with are happy to pay upfront. Although the % of the cover price they'll pay can differ massively from one retailer to the next.

    What you need to do (if you haven't already) is get the ISBN registered with Neilsen. They will in turn update their databases with the major book wholesalers such as Bertrams and Gardners. These guys act for Amazon, Waterstones, WHSmiths and loads of online retailers. You need to push the retailers individually and promote the book as best you can, but once they're interested - 90% of the time, the order will come via one of those 2 wholesalers. You access the orders via the Neilsen site who operate the online function for most of the retailers (you get email notifications when new orders come in).

    The best way to get it stocked in Waterstones if it isn't a title with mass-appeal (such as the Justin Bieber Autobiography) is to approach each store individually and speak with their instore buying manager. This particularly helped get our Letterpool book stocked around the North West as it was a local title. FYI they do buy upfront. Each store tends to buy 30 or so at a time, and then they'll order another 30 when they run out.

    We've sold hundreds through Waterstones now, although quite a few via other retailers around Liverpool (Picturehouse Cinema, Tate Liverpool, Liv Museum etc). We also get bulk orders through from Gardners/Bertrams every now and then, but I've no idea who buys them - they won't tell you.

    Basically, it's a real slog at first getting the book known and out there unless you have a publishing deal and using a big distribution network. My advice would be to get it in some of the bigger Waterstones and then target specialist retailers that deal with your genre.
  17.  

    The 10 Craziest Business Practices of the Book World

    See 1) Selling Returnable. Unless you have a 'special relationship' with your seller, all books are sold to bookstores as returnable goods. If they don't sell, they can send them back. This is changing with some publishers, Harper Collins started a non-returnable publishing group a couple of years ago, but they're doing it by cutting back on the actual price of the books themselves (which they're doing, in turn, by cutting advances to publishers).

    Aaron: Unless you've a special deal (which you may have I guess), I'm pretty sure waterstones can send you a crate of books back and ask for a refund -- if they so desired.

    The paperwork's with Nielsen to sort out an ISBN, but it's only really for catalogue reasons. This isn't really being done as a money making exercise, it's a very long-tail thing. The website behind the book actually gets quite a lot of traffic (sad as it is, I think a lot of the generation of men that fought in the war are dying, and their relatives are looking to find out more about them/it) and I doubt we're going to be aggressively marketing the book.

    The financials don't work out with bulk-buying from blurb (postage is pretty much a multiple of the number of books at around £4 per book) so it just stops making sense unless you sell the book for a lot more than you'd be able to sell it for. I can't see many places wanting to stock it if they have to pay £10 a book. The alternative is to try and find a print on demand service in the UK that offer quality as good as Blurb. If we sell enough through Blurb then we may do a small run of books with colour photos with a UK printers or something, but for now it's a suck it and see thing.

    The financials of Amazon just don't stack up as I've got publishing setup at the moment, and I've read quite a few blogs from folk basically saying that if you're a small self-published author, Amazon's great for getting your word out, but it'll pretty much cost you money.

    Put it like this: Right now, the 'RRP' of the book is £10, which means Amazon will pay £4.50 for each book. For me to get a book here, at cost price, from Blurb, it'll cost £8.50. Sums don't work. For the sums to work, we'd have to up the RRP, which means it's less likely to sell, which means ... etc.

    That said, Amazon have a self-publishing arm called Createspace which looks worth investigating, though it's US only at the moment. That said, once I've got the ISBN I could set it up in seconds as their PDF specs are the same as Blurb's. Worth a shot.

    Ebooks are a different thing altogether, and when I have the time I'm going to properly look at getting an e-book out there too.

    It's all very interesting, I'm still learning obviously, but it's a weird and very old-school industry.

  18.  
    Don't get me wrong, there's more to getting the model right, and I think you'll struggle getting the figures to stack up without investing in a larger print run from the off.

    For our pricing to stack up, we got 2,000 books printed. This was high quality 200 page / hardback and cost us about ~£5 per book. They retail at £15, so even if we had to go as low as 50%, we still make £2.50 profit. The flipside however is you then need to sell ~1000-1300 books to break even, which we haven't reached yet. But as you say, it all depends what you want to achieve from it. Ours was an awareness/PR exercise and I'm sure we've more than made the money back indirectly from the exposure.

    I don't know anything about the retailers being able to send the books back. I don't recall agreeing to such terms and I'd certainly have something to say about it if they tried.
  19.  

    I don't know anything about the retailers being able to send the books back. I don't recall agreeing to such terms and I'd certainly have something to say about it if they tried.

    Unless you specifically discussed it and agreed an exception, then from what I've been told it's an absolutely bog-standard part of any book distribution deal. Books are returnable. Most self-publishers (from what I've read) have no idea, and it was only chancing on that article a week or so back that even alerted me to it.

    As the article says:

    Taking returns on your entire inventory every day is the business equivalent of low self-esteem. People who run a business this way shouldn’t be in business. They should be in therapy.

  20.  
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